I couldn’t get to Gruppen at the Turbine Hall in Tate Modern. I should have jumped quicker to buy a ticket. I should have said yes to the person who invited me to join them (but didn’t because of a school reunion).
At the very least I should have asked the right person at the right time if I could get a ticket somehow. In the end, I left it all too late. Massive fail on my part.
None of this is me moaning, by the way.
There’s been a buzz about the Southbank over the past week thanks to the Philharmonia and the London Symphony Orchestra. First, the Philharmonia’s Gurrelieder in Paris documented on social media as a
It’s not just that these season highlights were epic performances. They were both of them much-talked about beforehand. These were true events.
People I spoke to in the run-up to both, were all excitedly asking the same question. “Are you going?”
That simple question has a devastating effect – it motivates you to get yourself a ticket so that you can share in an experience others are getting excited about. And when you can’t get a ticket, it prompts a bout of irritation about not having moved fast enough early enough.
And it’s not that I didn’t get to go to Gruppen that is important here. What’s utterly delightful is that two orchestral teams (players and support staff) are able to generate such passionate enthusiasm amongst their audiences. A wonderfully reassuring and invigorating thing.
Listen to Stockhausen’s Gruppen – in a concert that also features a performance Messiaen’s Et