Album Review: Reflections from saxophonist Huw Wiggin

Royal Overseas League Gold Medal Winner and Royal Academy of Music professor Huw Wiggin has a new album of saxophone music. Reflections is a personal collection of
favourite pieces some familiar
classics arranged for soprano and alto saxophone, plus one delightful outing for a rarely heard of
composer – Paule Maurice.

Huw’s playing challenges assumptions about the saxophone. In some respects I think its the most challenging instrument to market, one that the audience pigeon-holes in rock, jazz or 80s pop.

But in the right hands, the sound of a soprano sax
in particular has a distinctive and unorthodox kind of elegance to it – a kind of souped-up cor anglais minus the ponderous baggage.

You can hear what I mean in the second movement of the Marcello – a soft persistent legato glides gently over gallant chords in the piano accompaniment. Wiggin resists melancholy or over-sentimentality, creating something brimming with strong-jawed pride. In a similar way, the deeply personal Du bist die Ruh sings in a way I rarely hear the saxophone sound. And whilst I’m on the subject of
legatos, his arrangement of The Swan from Saint-Saens Carnival of the Animals is more swan-like than the original setting for cello and chamber orchestra. 

The notable delight on the album is a recording of French composer Paule Maurice’s work Tableaux de Provence – a rich sophisticated evocation of Provence-life in
1940s written in a neo-classical style written around shortly before Francaix’s L’horloge de Flore for oboe and orchestra. 

Tableaux
has more depth to it musically and
results in a more satisfying listen as a result. Not only that, I think the arrangement for
piano accompaniment of Tableaux has an added poignancy to it than the originally scored orchestral accompaniment in, for example, Ray Smith’s recording of the work. The fourth movement – Dis alyscamps – is a particularly fine example. 

Much of what I’ve come to really appreciate in this entire album is the recording technique. That’s not to do play down Huw Wiggin’s or pianist John Lenehan’s work, but it is the mix of sounds – a sometimes forte-piano sound from the keyboard combined with a saxophone that muffles the movement of the keys and doesn’t make too much of the articulation – that challenges the assumptions I referred to earlier. 

And having listened to the album a number of times over the past month or so, I’d put it up there on my top ten list of
favourites this year alongside Lewis Wright’s works for vibraphone, and Tenebrae’s Symphonic Psalms and Prayers

Listen to Huw Wiggin’s Reflections on Spotify, or download from iTunes and Amazon

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