Mimi Doulton’s 2021/Borough New Music appearance today showcased music performance artworks from the past forty years and the soprano’s considerable vocal dexterity. The all unaccompanied vocal programme was introduced by Mimi as ‘an experiment’. But who was it an experiment for?
Well, possibly Mimi herself. Running at just over 50 minutes with very little break in between, this lunchtime recital was a demanding vocal challenge with punishing vocal writing spanning her register.
Working backwards through the programme (unorthodox I know, but stick with me) Oliver Knussen’s Four late poems and an epigram of Rainer Maria Rilke, in particular, showed Mimi’s considerable stamina and commitment in what is a spikey and often uncompromising work.
Elliot Carter’s La Musique piece that preceded with its expansive melodic line sounded almost like a much-needed massage of the vocal chords after the sing-spiel acrobatics of George Aperghis’ Recitations I & VII that opened the concert. Here, in particular, Mimi opened with an arresting performance that grabbed attention and helpfully established the listening parameters for the audience.
The undeniable strength in programming all unaccompanied material for one singer is the opportunity given to the audience to compare and contrast compositional approaches. For example, a work Judith Weir wrote the year she graduated from Cambridge University in 1976 – King Harald’s Saga – illustrated the compelling characteristics I discovered by accident her 1985 carol for unaccompanied chorus Illuminare Jerusalem during the Nine Lessons and Carols last year. King Harald’s Saga – a lively, descriptive and reflective piece – had entertainment at its heart. That’s one of the key characteristics of Weir’s music I’ve come to appreciate.
Low-key unassuming (and importantly, free) events like this provide a useful framework for ongoing discovery of new music. Go with an open mind and a fierce curiosity, and you’ll see beyond the conventional boundaries of what a concert is and what’s entertaining and what isn’t. Vocal timbres resonate; emotions are triggered; unknown art suddenly becomes real.
The next Borough New Music Series 5 concert is on Tuesday 20 February at St George the Martyr in Borough, London. Borough New Music concerts are on every Tuesday until around June. They’re free with free tea and biscuits at the end too.