Vultures is a play written by BAFTA award winning playwright Roy Williams.
It was recorded at the 2010 Free Thinking Festival on Saturday 6 November and will be broadcast on BBC Radio 3 on Sunday 7 November at 8.30pm.
Listen to an interview with the playwright or read the reasonably interesting text below.
The Radio 3 Drama recorded live at the Free Thinking Festival every is year is always a must-see for me. After all the discussion during the day, the opportunity to sit down and see a spot of fiction is a relieves the senses. It’s live theatre, recorded ‘as live’ (meaning it’s recorded all in one take) in front of an audience.
This is the third Free Thinking drama I’ve been along to. Tony Marchant’s play two two years ago was upsetting. Last year’s entitled ‘Beware the Kids’ was disturbing. This year’s – written especially for Free Thinking by Roy Williams – was immersive and thought provoking.
Williams’ play – ‘Vultures’ – joins a growing list of memorable dramas, in part because of it’s simple premise. Author Yvette is participating in a Q&A at a bookshop at the launch of her recently published book. But there’s a fly in the ointment. To what extent is the book autobiographical? A strong opinion emerges from the audience. Initially finding it difficult to speak out, Sean – someone from Yvette’s past – bursts out.
The presence of two of the actors in the audience during last night’s recording did come as a surprise. The moment Sean is introduced was – quite unexpectedly – an incredibly tense moment from where I was sat on the back row. I didn’t know he was there, wasn’t expecting him to be there and was – quite frankly – petrified of him.
This despite director Kate Rowlands advising us all that they were “dotted around” before the recording started. Mind you, us lot in the audience were perhaps concentrating on our role in proceedings. To the side of the stage throughout the play a production assistant held up pieces of cardboard with instructions on them. Yes, the audience you hear in the recording are part of the drama too. And yes, this means that I have – in a sense – been on the radio. At last.
But it was the audience participation – none of us knew before we got there – which was one of the risky elements. Whether or not that contribution necessarily works is open to interpretation and – thankfully – won’t impact on the interesting themes playwright Roy Williams introduces in the play.
I spoke to Roy shortly after the recording. He seemed utterly cool about the whole thing. Mind you, it was over by then.
:: Listen to ‘Vultures’ recorded at the 2010 Free Thinking Festival on BBC Radio 3 at 8.30pm on Sunday 7 November.