It’s about listening, that’s all

Roxanna Panufnik, the Bach Choir, and the Royal Albert Hall (along with a host of others – geddit?) feature in a promo on the Guardian website today brought to my attention by Petroc Trelawny referring to it on Radio 4’s Broadcasting House earlier today.

The story is essentially a puff-piece designed to flag the Christmas Classics concert later this week during which a new carol by Panufnik will be premiered.

There is we learn a resurgence in carol-writing and according to Roxanna, carols are a great way to engage a new audience demonstrating that new classical music can be ‘tuneful’.

“She [Roxanna Panufnik] recognises that many people consider new classical music to be esoteric and difficult, and believes carols are an ideal way to engage them.”

Esoteric and difficult? That might be what some people think about ‘new music’ but that view is based on an assumption held by those people shaped in no small part by lazy writers.

New classical music isn’t something which needs to be made more engaging. It, like the works from history, doesn’t insist on prior knowledge, or expertise. All music needs is for people to listen to it and listen to themselves whilst they do so. 

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Notes from Wildkat’s rountable discussion on entrepreneurs and innovation in the classical music world

In a digital age where arguments become steadily more reductive and information sources narrow, making the effort to actively seek out other people’s thoughts is a real boon. Having the opportunity to do that face to face is a rare thing especially in the classical music world.

But there are places where likeminded people can convene and share ideas. One such endeavour is Wildkat’s invitation roundtable discussions – a great opportunity to make connections with industry people who share similar passions.

The most recent session was on entrepreneurs and innovation in the classical music world.

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